Its approach from the start has been to engage its consumers - and music fans at large - with quality, evergreen content whose value has only accrued with time. Spitfire has mastered content creation across multiple platforms and media, delivering the same production values in its ancillary content as it does in its main, paid products. All these years, Spitfire has stayed true to its original mission: "to inspire a generation of composers." Spitfire's perhaps most impressive accomplishment, however, is how it's made the whole world of scoring more accessible and lowered the barriers to entry and creation for aspiring composers.
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Its tools and instruments are used for scoring movies, TV shows, and video games across all genres. It has collaborated on exclusive products with musicians and composers like Hans Zimmer and Ólafur Arnalds. Fast forward 13 years, and this "private sample club" is now a company of 70+, recognized as one of the best sound providers in the world. Within a year, some of the most renowned composers in film and television signed up, so Paul and Christian decided to take their samples public. Initially, they invited a limited number of friends and associates to own copies of their samples, but whispers of this private sample club soon started to echo across the Atlantic Ocean throughout the composer community. Born out of their shared dissatisfaction for string sample libraries, they pooled their resources and decided to record their own string samples at the legendary Air Studios in London.
Spitfire Audio was founded by two award-winning composers: Christian Henson and Paul Thomson.
Like any exciting company, it has an interesting origin story. Spitfire Audio is a British music technology company producing high quality virtual instruments and sample libraries for the world's most demanding composers. Today, we're diving deep into the coolest music technology company you've never heard of. Hi! I’m Maxime, and you’re reading Recreations, a (still desperately infrequent) newsletter about the intersection of media, technology, and culture.
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